Just like when a pitched around sample of Sister Nancy’s “Bam Bam” played, heads instinctually bobbed. A few lines stoked cackles (“I love you like Kanye loves Kanye” a bit about butt bleaching), but they were meant to be funny. So when he actually started playing “The Life of Pablo,” people (mostly) shut up. His approach to music has evolved before our ears from club-approved single sniping (“College Dropout,” “Late Registration”) to critic-approved cliff jumping (“Yeezus” in particular).

For all his antics, West is, at his heart, a one-of-a-kind producer. “Many theaters in L.A., Chicago and New York have sold out,” a representative from Fathom Events, the company in charge of making sure the stream ran smoothly at the Greenwood Plaza 12, told me. Charging $25 for it? More so.īut people paid to see it. Organizing theatrical live streams of you and your friends dancing to your new album along with shots of a handful of deadly serious and possibly sleepy models wearing clothes that confuse most people is bananas. Yeezy Season 3’s theatrical roll out is no less ridiculous than either West or his wife’s presence on all their other platforms. Kanye and Kim Kardashian have offered their far-flung lives up on a plate via social media, reality shows, apps and photo ops, both given up freely and not. Seuss book,” someone from the back yelled.įair game. “I appreciate the bravado of him saying it’s going to be one of the greatest albums of all time, and even if it isn’t, I bet it’ll be interesting.”Īsked why he wasn’t at work at the time: “I’m at a doctors appointment right now.”īy the time the fur-cloaked Kim Kardashian and her sisters had settled into their seats on screen, the audience in the theater had been reduced to wise-cracking hecklers.

“I’m expecting a gospel album with a lot of cursing,” said Ryan Gustafson, 25, a business operations analyst.

Yeezy Season 3: “The Life of Pablo,” the world of Kanye – The Denver Post Close Menu

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